Friday, November 11, 2011

Media Mikes CD Review: Dreams Will Fade “Before The Dawn”

“Before The Dawn” is the debut album from the 5 member Wisconsin based band Dreams Will Fade. The album feature 10 original hard rock tracks produced by Jason Z. “Before The Dawn” is being released via Turkey Vulture records.
“Before The Dawn” was a fairly decent listen as the album had several high lights. I felt the band did a good job of blending melodic vocal lines with heavy riff driven instrumentation. Tracks such as “Before The Dawn”, “Watch You Fall” and “Whatever” were personal highlights and in my opinion and featured some great arrangements and performances. I would have liked the overall mix of the album to be a little more up front and in your face however each track still sounded good.
Dreams Will Fade’s “Before The Dawn” as a whole is a good album. I could have done with a little less screaming as I don’t think it’s the bands strong suit. If you are a fan of bands like Killswitch Engage, Breaking Benjamin and Pierce The Veil then you will definitely want to check out Dreams Will Fade’s debut album.

Media Mikes CD Review: Mobile Deathcamp “Clear and Present Anger”

“Clear and Present Anger” is the second release from the Toledo, Ohio based metal group Mobile Deathcamp. The trio consists of former Gwar/Green Jelly member Todd Evans on guitar/vocals, bassist Boe Skadeland and drummer Dave Martin. “Clear and Present Anger” features 10 all new original tracks produced by Jason Z. and is being released via Turkey Vulture Records
The album picks up right where Mobile Deathcamp’s previous release “Black Swamp Rising” left off. “Clear and Present Anger” is classic speed metal with a modern twist. Tracks such as “Emerald” and “Earth Metal” are relentless in their approach as each track contained on “Clear and Present Anger” is filled to the brim with intensity. Casual listeners might not connect right away with this album however long time metal fans and supporters of Todd Evan’s previous bands will appreciate this album.
“Clear and Present Anger” is a solid album that showcases Mobile Deathcamp’s growth as a band. Each members performance is tight and in sync with the direction of each song. Fans of the bands previous release will surely want to pick up a copy of “Clear and Present Anger”.

Friday, November 4, 2011

SILENT THEORY interview in THE DAILY EVERGREEN

Silent Theory to debut album at concert Saturday
By Greg Dunbar
Published 11/4/2011

The local band Silent Theory will be debuting their album, "Black Tie Affair," 60 days early with a show and CD release at 8 p.m. on Saturday at the BellTower Concert House in Pullman.

The album will be available worldwide on Jan 5., 2012, but, as drummer Mitch Swanger said, why not make the release into something special for the community?

“As part of the show, we’re giving a copy of the album out with every ticket purchase,” Swanger said. “We’re breaking our show into two sets. During the first, we’ll play a couple covers and songs that didn’t make the album, and the second half we’ll be playing the entirety of 'Black Tie Affair.'”

The album will feature ten original songs full of crunchy guitars, gritty rock ‘n’ roll vocals and in some instances, rhythm guitarist Robert James said, a slight country, acoustic feel. As a rule of thumb, Swanger said, Silent Theory writes music about things that have a story and reason behind them.

“People don’t want stuff just slapped on paper,” Swanger said. “They want something meaningful to the band and something they can relate to.”

While Silent Theory’s lyrical content speaks about rock ‘n’ roll themes such as drinking and having a good time, other songs focus on the tribulations the band has encountered on their road to success, James said.

“The fan favorite so far is ‘No Time To Lose,’ which has a really catchy second verse with a more funk beat on bass guitar,” James said. “Our label is pushing ‘Livin’ The Dream’ as our first single. It’s also schduled to be on the next Rock Band video game.”

The song “My Last Goodbye” is about Swanger’s experiences with bullying while teaching marketing courses in Lewiston.

“In my second year there, one of my favorite students came to school with suicidal cuts stretching from elbow to wrist, a result from bullying,” Swanger said. “Another student of mine, who had special needs, came to school badly beat up. As a teacher, if there was one thing that would make me lose it, it’d be bullying.”

Swanger said the song “My Last Goodbye” was not written to be morbid, but to rather function as a PSA or a cry for help for these victimized students.

Silent Theory is one of the rare bands from the Palouse area that have been signed to a record label, Swanger said. The band signed a contract with Illinois-based Turkey Vulture Records, a predominantly heavy metal label, on Oct. 14, 2010. Silent Theory’s sound is more commercial than 90 percent of the bands on the label, Swanger said, which is a big reason why Turkey Vulture Records picked them up. Their potential market and chance of being on the radio is huge.

“There’s not really anything out here that would draw a label’s interest,” Swanger said. “You wouldn’t think to look in a small town of Idaho. We’re the black sheep of any show we play, but sometimes it’s worked for us.”

Swanger said Silent Theory has played all sorts of shows, from gigs with death metal bands in Seattle to performances with Christian rock groups in Moscow, Idaho. In addition to the Washington and Idaho scenes, Silent Theory headlined Whiskey a Go-Go in Los Angeles in 2010, played with Metallica and The Proclaimers in the South By Southwest festival in 2009 and has made an appearance on MTV Cribs.

Despite the band’s success, Swanger said, if you can think of something bad happening to a band over the course of a few years, it happened to them.

James said when they play with metal bands, they hope the hardcore fans will just let them out alive. During other shows, though, he said they have seen people put their hands over their ears after the first few songs. However, he said, this just presents a challenge for the band to reach these audience members in a louder way.

“Sometimes there’ll be three people in the back clapping,” James said. “We were doing a sound check in Coeur d'Alene when a drunk old guy in the back screamed ‘get off the stage, there’s other bands that want to play.’ We hadn’t even started yet. We were checking the mics.”

The most trying ordeal came at a concert at the Knitting Factory in Spokane, Swanger said, where a sound technician played music over the band’s sound for more than half of their set. This event is one of the references the band makes through their lyrics in the song “Faded Memories.”

The volume of Silent Theory is about to get much louder soon, though, Swanger said.

"We sold out the BellTower two weeks early, and they’re even bringing in a second bar for the concert,” Swanger said. “Great things are destined to happen. We're happy with how the album turned out, and I think most people will be.”

Doors for the show will open at 7 p.m. on Saturday at the BellTower Concert House. The band Small Town Boys will open for Silent Theory.

Saturday, October 22, 2011

NEW DEVASTATION DEVICE "NATION OF EXTINCTION" REVIEW FROM PAVILLON 666 (FRANCE)


Formed in September 2008, the Americans DEVASTATION DEVICE made their first published in a compilation "Metal Edge Magazine's" along with other local groups. No demos or eps or splits, the group landed a contract with illico "Turkey Vulture Records" to record their first full-lenght "Nation of Extinction" in January 2011. I take this opportunity to do my stunt this young label born in 2001 who, not content to provide good out of all kinds while relatively discrete, sells its products at unbeatable prices.

It is, at present, needless to say that the album has an outstanding sound quality, and the difference from one album to another is no longer on it. "Nation of Extinction" thus has a good production, powerful and gritty style that fits perfectly played by the group, namely a "Thrash" swift influences tinged "Old-school".

And at that point of my column, I find myself very annoyed because I have absolutely nothing to say, and it does well for three quarters of an hour that my page remains in suspension. What is wrong? No. Absolutely nothing, and that's the problem.

The group is smart enough to vary his compositions, balancing technical accurately made by many who know how to do solis melodic ("The Final Hour," "The Aftermath", "Kill The Lights") while keeping a constant efficiency in the performance of music that is not in lace. Jonathan Martin shows that he is not armed by placing jumble of good bursts of double "Deviate", bringing an additional gain of heaviness we would have liked more on this end. The heart of the album is so catchy most, and sequence "Broken Compass" and "Devil of the Day" has what it takes to groove and potatoes with their riffs and heartfelt small accelerations placed the right place.

In summary, all is well "burn" the rhythmic foundation is feeling well, it's fast, well executed, Jared Harris has a shrill voice well suited to the rest and gets angry properly if n ' is that sometimes he would have liked a little more loose, technically it is the top ... and that's it. The album is listened pleasantly, without trouble or loss of power all along, but nothing really stands out. One has the impression of having heard this riff as rhythmically as solo. Not a bad thing, especially when the goal is to rush into the crowd without a good shot of history (which can claim to be 100% original today, especially in the field of "Thrash" which technology and delivered the game are governed by codes which are certain that if one ignores the extent this is no longer called the "Thrash"?), but by dint of turning coasting without scoring a touch of madness, interest begins to decline after a few listens. Of mainly non-existent risk-taking, feel incomplete and lack of aggressiveness remain pure only at the very end.

I have nothing to fall sharply this album, especially since he does not deserve it (for a first try, it worked out of the mouth anyway), but I have no cards in hand, either for him an altar glowing praise. Neither bad nor good: not with this kind of argument we will advance the schmilblick, but I tell you, it's "bored" really can not do more. So I will defer to a trial by placing a school "Could do better", and send my encouragement to this young combo that I am sure, will show its full potential and his desire to "eat the scene" in the years to come.

Wednesday, October 12, 2011

TURKEY VULTURE RECORDS RELEASES NEW MOBILE DEATHCAMP ALBUM "CLEAR AND PRESENT ANGER"!!

TURKEY VULTURE RECORDS has recently signed a deal with MOBILE DEATHCAMP (featuring Todd Evans Ex-GWAR/Green Jelly) and the band recently tracked their new album with T.V.R. label owner/producer Jason Z. for the amazing and powerful new release!! The album is nothing short of a masterpiece and demonstrates the band's raw yet refined style!! The songs range from everything from Sasquach, to Native American pow-wow, and even a cover song from Thin Lizzy entitled "Emerald"!! This album is a must have for lovers of heavy metal to classic rock!! You can order the album online at www.101distribution.com/music/clearandpresentanger


NEW NIHM ALBUM "TRADE OF CHAINS" AVAILABLE NOW!!

NIHM has a new album out called "TRADE OF CHAINS" that has just been released on TURKEY VULTURE RECORDS!! The new album is an original breed of Metal all its own!! Think Frank Zappa meets System of a Down!! One powerful production!! Definitely pick up your copy today!! Available now at 101Distribution.com

TURKEY VULTURE RECORDS SEEKS BANDS FOR UPCOMING WORLDWIDE HEAVY MUSIC COMPILATION!!

TURKEY VULTURE RECORDS is seeking bands that want to get maximum exposure!! "THE HARDER, THE BETTER: VOL 14" is going to be a collection of bands from around the world and will be distributed throughout the world by means of distribution, tours, networking, and more!! To find out more details on the compilation go to http://www.turkeyvulturerecords.com/comps.html !!